Gia Sas...The goal of this blog is to share with the world the stories I share regularly with family and friends about my boyhood in Newark, New Jersey filtered through my status as the grandson of Greek immigrants. It will be an insight not only into an individual Greek-American experience, but also an intimate glimpse of the special status that the much maligned city of Newark holds in the hearts of those who knew her in her "golden age," the period from the 1920s through the 1960s. This was a time when Newark boasted five major department stores, a dozen downtown cinema palaces, two concert halls and many fine restaurants. She was a city of neighborhoods, each one distinct from the other, with tree-lined streets, well-maintained parks and a transit system that linked them all. There were first-rate hospitals, hotels, houses of worship of all denominations and a top-notch school system whose teachers were the highest paid in the state. Her location only twenty minutes from Manhattan, an hour from the famed Jersey Shore and a like distance from the recreational sites of her mountain lakes made Newark a very desirable place in which to live. Add to that an excellent manufacturing base and a strong service industry and the nostalgia former residences feel for the city becomes readily understandable. As for her citizens, Newark was highly diversified before the concept evolved into the politically-correct buzz-word it is today. There was a strong African-American presence, a lively Jewish community and, of course, a substantial immigrant population; this, in addition to the long-established British-German-Irish "natives." Their relationship was for the most part harmonious and mutually respectful; this was reflected by the fact that Newark's streets were safe from gangs, drive-by shootings, drug-dealing and most of the social ills that plague many of the once-great cities of our country. With that in mind, I invite you to be a part of my own memories and observations of the city where I took my first breath. (Please be aware that I shall not restrict myself to the above! Every topic of importance to me is fair game, since, as a friend of my daughter once told me very insightfully, "It all goes back to Newark.")
Sunday, April 3, 2011
Two months ago...
Two Months Today
by Nicholas Andrian on Thursday, March 18, 2010 at 12:18am
Father passed on Jan. 17, exactly two months ago. That Sunday, I drove down to my sister's to see him. He was lying quietly, breathing deeply but without difficulty. He had a good pulse in his neck and I told Debbie that I thought he still had at least a week or two to go. I kissed his forehead before leaving at around five p.m. My sister called later that night to say that he had passed at 11:20 p.m....I had told father in recent years that after he was gone, I would not be able to hear the song "Oh, My Papa" for a long time without getting choked up. That was a huge #1 song by singer Eddie Fisher (Carrie Fisher's dad from his marriage to Debbie Reynolds) when I was a boy and it always reminded me of him. Today, on the way home from school, I played it in my car: "Oh, my papa, to me he was so wonderful; oh, my papa, to me he was so good..." When It got to the part that says "...Gone are the days when he would take me on his knee and with a smile he'd change my tears to laughter..." I realized that I have not yet gotten over his passing. Funny, when I think of him, I don't see him as he was in his mature years; rather, I see him as he was in my boyhood...strong, handsome, confident, humorous, protective. I remember little incidents, words he spoke...When I was very little, he warned me never to turn on a light switch with wet hands and to this day, I never do...I also remember his triumphs as well as his disappoitments, his loud infectious laugh as well as his tears. My daughter often told me when she was just a little girl, "Daddy, I don't feel safe when you're not home" (in Greek, "Baba, then esthanoumai sigouri otan then eisai spiti"). Exactly the way I felt about my father when I was little
Father has crossed over.
Father has crossed over
by Nicholas Andrian on Monday, January 18, 2010 at 1:59am
As I drove down the Shore to visit my father on Sunday, for the last time as it turns out, my thoughts seemed to center on my early childhood memories of him rather than on more recent memories: The time we visited the Staten Island zoo (I was about four) and we were in the building where the big cats were housed. The roaring was frightening, as two lionesses were fighting while the guards were spraying them with power hoses to separate them; his rushing me to St. Michael's Hospital in Newark during an asthma attack at 2 a.m., stopping a passing car to take me there; driving to Olympic Amusement Park in Maplewood in his elegant Packard and going on all the rides with me, especially the bumping cars; his hysterical laughter when a friend of his took us to a nearby park to show off his remote-controlled airplane only to have it come crashing straight down during a loop-the-loop; his hand-painting his old green Plymouth red when I said to him, "Why isn't your car red, like a fire chief's?"
I have much more to write. My heart is heavy knowing that his time has come, but I am fulfilled inside for having had him at all the crucial times in my life.
I have much more to write. My heart is heavy knowing that his time has come, but I am fulfilled inside for having had him at all the crucial times in my life.
Father is sinking - Part Three
Father - 3
by Nicholas Andrian on Sunday, January 10, 2010 at 1:27am
One time when our sister Debbie (who has taken care of Father so magnificently) was about ten or eleven, Rick and I learned that a boy in her class had used the F-word to her. She begged us not to tell Father. From that point on, every time Debbie refused to do us a favor ("Deb, get me a glass of juice" or "Deb, I want to watch my program"), all we had to do was say, "Oh, Da-a-a-d..." and Debbie would say, "OK, OK" and do whatever we wanted...Father often said "When the Lord made me, He threw away the mould." Amen
Father is sinking - Part Two
Father is sinking-2
by Nicholas Andrian on Sunday, January 10, 2010 at 1:20am
Yes, our father has always been such a force for his family. If anyone tried to bully us, we were afraid to tell him for fear that he would murder the person! When I was 17 and my brother Rick was eight, a new guy, who had moved into our neighborhood down the Shore, 19 and bigger than me, made some nasty remarks about me to Rick, who, of course, told me. I certainly didn't want to tangle with this guy, but I couldn't let the incident pass, for I didn't want to lose face in my younger brother's eyes. So, I said a prayer, packed Rick in my old Ford and drove to the guy's house. Rick sat watching from the car. I told the would-be bully that I was there to settle things with him. My plan was to turn around and hit him as hard as I could if he tried to step off his porch. Fortunately, my bravado must have put the guy off. When I got done talking, he said "OK, Andrian, you said your piece, now get out of here!" I was only too happy to comply! Not long after, this same pugnacious guy, Dick Jones, saw Rick again at our local candy store hangout and said, "I'll bet your brother thinks he's tough." Rick said he would tell our father this time at which point Jones foolishly threatened to "mop up the parking lot with your old man." Well, father flipped out, jumped into his new Nash Rambler, found Jones standing outside the candy store with a bunch of friends, jumped out of his car and said, "Well, here I am, start mopping." Jones took to his feet and father chased him all over the parking lot but couldn't catch him! A few days later, after his anger had subsided, father saw Jones by the candy store, tapped him on the back of his head with an open hand and said, "Do we understand each other, young fella?" Jones just nodded.
Father is sinking...
Father is sinking
by Nicholas Andrian on Sunday, January 10, 2010 at 12:48am
Well, father has rallied in the past after some setbacks, but my sister called me late tonight to say that he is sinking. When I saw him at Christmas, just over two weeks ago, I asked him if he recognized me and he whispered "You're my son." I was gratified. If he lasts until Feb. 10, he will be 86, but that is very unlikely, according to his doctor. Alexander George Andrian, my father, has had a good run; he pretty much did whatever he wanted and didn't look back very often, although he has always been very nostalgic, a trait he passed down to me. Like him, I was blessed with a very good memory; one of my very earliest was that of choking on a large gumball, my mother screaming hysterically, while my father tried in vain to stick his fingers down my throat. He saved my life by turning me upside down and smaking me on the back with his powerful hand. We lived in the Bronx then; I was two and a half, so it is indeed my earliest memory. I can still remember him carrying me around downtown Newark in his arms, taking me to see Abbot and Costello movies, buying me a pedal car that had "Chrysler" written on the back, driving around Newark in his elegant Packard...And those fabulous Christmases! I guess that's why I'm still like a kid at Christmas, playing Christmas music and wearing Christmas ties from Halloween on...He was such a tiger for his family, especially his kids, grandkids and great-grandkids. He often said that he wanted to live long enough so that my niece Theresa's son, Alex (named after him), now ten, would always remember him. That prayer has been answered for him.
Father rallies!
On July 1, my sister told me that father had taken a turn for the worse. He didn't recognize anyone, wasn't speaking nor was he eating much or drinking. I went to see him. When I walked into his room, he opened his eyes. I said to him, "Do you know who I am?" And in a loud voice, he answered, "You're my son!" much to my sister's surprise. I said to him, "I bet you've forgotten your Greek." He answered, "Ah, sto diavolo," the Greek equivalent of "Go to hell" (although not as strong as in English). We are all greatly heartened by this rally on his part and altho' the end is inevitable, we are all breathing a bit easier today. I saw a framed picture of him at age 27 or so, when he posed for "Ring" magazine, handsome and muscular (but not disgustingly so), and I recognized what a great life he has had, he of that "Greatest Generation," who were raised during the Depression, fought in World War 2 and came home to found families and careers and to lead this nation into the prosperity of the 1950s and '60s, a golden age for these United States..
Mon Papa
Mon Papa
by Nicholas Andrian on Sunday, March 8, 2009 at 5:21pm
My father was always a tiger for his kids, a Greek-American John Wayne. Whenever I got into a scrape, he never failed to bail me out. Once, when I was 12, an adult neighbor used the f-word at me. My father caught up with him in the playground of our housing project in Newark and said, quote, "If you bother my kid again, I'll deck you so fast you won't know what hit you." He always had a strong sense of justice. Back in the 1980s, he was in court on a family matter when an unemployed African-American guy, a complete stragner, who had fallen behind on child support, couldn't raise bail and was sent to the county jail. My father went home, got the money and bailed him out. Larger than life, a patriiot as well as a patriarch, he'll soon be with the Lord. When I finish my book the world will know what the word "father" is supposed to mean. I hope I have inherited some of his traits and values. My daughter tells me that I have. When I couldn't get home from Jersey City once due to a snowstorm and sought shelter at my mama-in-law's, my daughter told me the next day that she was nrevous all night, "I don't feel safe when you're not around, Daddy." Just thought I'd share that.
How Music Socialized Boys
How boys were once socialized in a positive way by popular music.
by Nicholas Andrian on Saturday, April 2, 2011 at 1:28am
Today, when women are referred to as 'bitches' and 'ho's' in popular music and
where violence against them is celebrated in song, I find myself longing for the
days when the popular culture inspired young men to respect women and girls,
nay, even to place them on a pedestal. Take, for instance, a big #1 hit by Frank
Sinatra in the summer of 1955, "Learnin' the Blues." Here is a sample of the
lyrics: "The tables are empty, the dance floor's deserted, you play the same
love song, it's the tenth time you've heard it; that's the beginning, just one
of the clues, you've had your first lesson in learning the blues." It goes on:
"The cigarettes you like, one after another, won't help you forget her, or the
way that you love her; you're only burning a torch you can't lose, you're on the
right track for learning the blues." The refrain (and here's where the
socialization comes in): "When you're at home alone, the blues will taunt you
constantly; when you're out in a crowd, the blues will haunt your memory. The
nights when you don't sleep, that whole night you're crying, won't help you
forget her, soon you even stop trying. You'll walk the floor and wear out your
shoes, when you feel your heart break, you're learning the blues." First of
all, the words are sophisticated and paint a powerful picture of emotions a man
can truly feel. Secondly, Frank recorded this with Nelson Riddle, one of the
greatest arrangers ever of popular music. His orchestra consisted of truly great
musicians and he, they and Sinatra fit one another like the proverbial hand in
glove (the time Sinatra spent with Riddle, 1953 to 1961, saw the highlight of
his artistry). Most importantly, the song told boys that it was OK to feel hurt
when a girl dropped you. If Sinatra, who had a tough guy image (he lived hard
and was not above punching out a reporter from time to time), could spend the
whole night crying over a woman, well, then it was OK for a boy to do so, too.
Girls and women were to be wooed, pursued, respected, cherished. A kiss from a
love object was the source of a thrill, let alone anything beyond that (which we
all aspired to hopefully, of course). "Learning the Blues" marked a milestone
which no one was aware of at the time: The song that knocked Sinatra's
masterpiece out of the #1 spot was Bill Haley's "Rock Around the Clock," which
ushered in the rock and roll era and the decline of the Great American Songbook.
"Rock Around the Clock" had been released the year before, 1954, but went
nowhere; the public was not ready for this new and overly simplified style of
music, lacking nuance and sophistication. However, when the great film
"Blackboard Jungle" (starring Glen Ford, Anne Francis and the truly gifted
Sydney Poitier - playing a high school student!), using "Rock Around the Clock"
as background music during the rolling of its credits, was released that summer
of '55, the song took off and became a classic. This displacement of "Learning
the Blues" symbolized the Draconian changes that would come during the ensuing
years in American culture. It can be said that the social revolution which
overtook this country in the Sixties and beyond had its roots in the toppling of
the Sinatra/Riddle chef-d'oeuvre that summer.
by Nicholas Andrian on Saturday, April 2, 2011 at 1:28am
Today, when women are referred to as 'bitches' and 'ho's' in popular music and
where violence against them is celebrated in song, I find myself longing for the
days when the popular culture inspired young men to respect women and girls,
nay, even to place them on a pedestal. Take, for instance, a big #1 hit by Frank
Sinatra in the summer of 1955, "Learnin' the Blues." Here is a sample of the
lyrics: "The tables are empty, the dance floor's deserted, you play the same
love song, it's the tenth time you've heard it; that's the beginning, just one
of the clues, you've had your first lesson in learning the blues." It goes on:
"The cigarettes you like, one after another, won't help you forget her, or the
way that you love her; you're only burning a torch you can't lose, you're on the
right track for learning the blues." The refrain (and here's where the
socialization comes in): "When you're at home alone, the blues will taunt you
constantly; when you're out in a crowd, the blues will haunt your memory. The
nights when you don't sleep, that whole night you're crying, won't help you
forget her, soon you even stop trying. You'll walk the floor and wear out your
shoes, when you feel your heart break, you're learning the blues." First of
all, the words are sophisticated and paint a powerful picture of emotions a man
can truly feel. Secondly, Frank recorded this with Nelson Riddle, one of the
greatest arrangers ever of popular music. His orchestra consisted of truly great
musicians and he, they and Sinatra fit one another like the proverbial hand in
glove (the time Sinatra spent with Riddle, 1953 to 1961, saw the highlight of
his artistry). Most importantly, the song told boys that it was OK to feel hurt
when a girl dropped you. If Sinatra, who had a tough guy image (he lived hard
and was not above punching out a reporter from time to time), could spend the
whole night crying over a woman, well, then it was OK for a boy to do so, too.
Girls and women were to be wooed, pursued, respected, cherished. A kiss from a
love object was the source of a thrill, let alone anything beyond that (which we
all aspired to hopefully, of course). "Learning the Blues" marked a milestone
which no one was aware of at the time: The song that knocked Sinatra's
masterpiece out of the #1 spot was Bill Haley's "Rock Around the Clock," which
ushered in the rock and roll era and the decline of the Great American Songbook.
"Rock Around the Clock" had been released the year before, 1954, but went
nowhere; the public was not ready for this new and overly simplified style of
music, lacking nuance and sophistication. However, when the great film
"Blackboard Jungle" (starring Glen Ford, Anne Francis and the truly gifted
Sydney Poitier - playing a high school student!), using "Rock Around the Clock"
as background music during the rolling of its credits, was released that summer
of '55, the song took off and became a classic. This displacement of "Learning
the Blues" symbolized the Draconian changes that would come during the ensuing
years in American culture. It can be said that the social revolution which
overtook this country in the Sixties and beyond had its roots in the toppling of
the Sinatra/Riddle chef-d'oeuvre that summer.
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